散文吧网站海不择细流，故能成其大。山不拒细壤，方能就其高。关于电影的英语演讲稿（2篇）
　　电影书写的影片，籍影像与声音的关系来表达，而非靠(演员或非演员的)动作和声调的模仿。它不分析，也不解释。它重组。——罗伯特·布烈松(法国)　　以下是关于电影的英语演讲稿的范文，供大家参考!　　关于电影的英语演讲稿(范文一)　　电影：天使爱美丽　　There are so many movies I've loved that the entire list would be nearly
book-length. It's tough to pick just a few, but I'll give it a try.　　Before I start any kind of numbered list, I have to include one film that
... well, it'd be unfair to call it (them, really) my favorite film(s), as they
float in the stratosphere above anything like a numerical favorites list. It
isn't fair to list it with others. While I'll still refer to #1 on the list
below as my favorite as follow.　　Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.　　Jean-Pierre Jeunet has created montages of insignificance and triviality
only to bring out in an euphemistic way the biggest support one can get in
love.Every single character,including Amelie herself,has some kind of
peculiarity in their characteristics(which often resemble the eccentricity of
Dickensian characters)but the one thing binds them together is their agony of
being lonely,unnoticed and search for companionship and appreciation.Amelie is
like the angel who repairs the missing links in their lives and finds a root of
her own.The &All's Well that Ends Well& motto of fairy-tales has been adopted
very skilfully in this movie and it rather wakes up the fairy godmother in each
of us.　　For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing
moments in his life, taking notes in his diary, not knowing that he was up to
co-write and direct one of the most successful film in French film history.
Jean-Pierre Jeunet fell in love with the story and the film he titled Le
fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to
Jean-Pierre Jeunet himself as he once stated: I guess I have to produce a film
like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin
d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the
film didn't win an Academy Award for the best foreign film in 2001 which still
puzzles film fans all over the world.　　I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is
an outstanding film in film history for its cinematography, the music, the
story, but above all the overall atmosphere. Going to the cinema is like
meditating. We sit for over one-hour and comfortable chair - our breath slows
down and as the lights are switched off, we enter a dream world. We seek to
escape our normal world just for a short period of time, to experience something
totally different and yet, we want to find ourselves in this world. Thanks to
Jean-Pierre Jeunet I had a wonderful dream, I will never forget.　　Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the
film look like the Spanish painter did his artwork. To establish a dreamlike
atmosphere they used mostly red and green, sometimes adding a little blue spot
in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears
either red or green dresses, as well as the housekeeper (Yolande Moreau as
Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine
Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the
tragedy of her life on her TV, there is an outstanding of a blue lamp in the
background. Sometimes the use of color gets very obvious. Amélie's apartment for
example is almost completely red, the underground station and the train station
are kept in green and the green grocery store stands out from the grey
buildings. Honestly, I haven't noticed the extreme use of color the first time I
watched the movie. I just wondered how Jeunet succeeded in establishing such a
fabulous atmosphere.　　The atmosphere is also supported by the magnificent music by Yann Tiersen
who has composed 19 songs in 15 days for this movie. The principal motive
appears in many variations somehow being joyful, yet at the same time sad - slow
and sometimes fast and activating. The music supports every moment in the film
and becomes the sound of a fabulous world.　　Camera movement certainly contributes its part to the atmosphere. Balanced
and unbalanced pictures contribute to the message of each shot. Right in the
beginning when Amélie's mother is introduced, the picture is balanced
symbolizing her pursuit for correctness and cleanliness. The same can be about
the first shots of Amélie's father. When talking about his dislikes, the shots
are unbalanced. But more impressing are some camera movements. For example there
is an astonishing high angle shot of Amélie flipping stones on le canal in
Paris. The camera shows her leaning on a fence, flying above her head then
craning to a low angle shot to show her flipping stones in the direction of the
camera. Another one worth mentioning might be the chase of the repairs person.
Nino is shown falling up the steps chasing the repairs person for the photo
machines. The camera turns to show the man getting in the car driving off. Still
in a low angle Nino starts his moped, trying to follow the worker, almost
hitting a car. Amélie is entering the picture running after Nino. The camera
follows her, then turning almost 180° around her to show her hold Nino's red bag
that he lost. When Amélie sits in front of the station, we see her in a long
shot, the camera dollies in to fly over her head to an over-the-shoulder shot.
Some of these camera movements are really awesome, not only from a technical
point of view, but moreover from an aesthetic standpoint. They support the
dreamlike atmosphere, adding interesting aspects to ordinary actions.　　关于电影的英语演讲稿(范文二)　　电影：甜蜜蜜　　This movie is delightful from start to finish. Although some of the
coincidences and chance meetings are highly improbable (both going to NYC? Both
watching the same TV set at the same time?), they cannot spoil what is a
genuinely touching and moving experience.　　Instead of a the usual scenario where two people try desperately to find
love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try
desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her
he has come to earn enough money to marry his long-time fiancée back on
the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of
her several part-time jobs, and Xiao Jun has come to experience the
unknown-in-his-hometown food, they become friends. They discover a shared love
for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to
their relationship. Both are lonely, and gradually they form a genuine
friendship, then a not-so-casual intimate relationship. Their struggle to remain
true to their original goal in coming to Hong Kong leads to an emotional crisis
for both them and their partners. The struggle takes place over a ten year
period, during which they separate only to keep bumping into one another and
reopening old wounds. The resolution of this struggle is sweet indeed.　　The lead actors are both exceptional, particularly Leon Lai, who always
seemed to be playing a variation on himself until this film. He is completely
believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever,
radiant and affecting. The songs of Teresa Tang are used to great effect, one of
which gives the film it's title (Tian mi mi, the title of the Chinese version,
roughly translates as Sweet Like Honey).　　Loses a point for the number of coincidences, but otherwise unreservedly
recommended.　　I have just finished watching it. The emotions came out from deep down in
my heart, and I couldn't control myself to stop crying. This is the film of
love, reality and dream. It has nothing to do politically with HongKong before
or after 1997. It shows the story of two young people who think they are young
enough to not choose and avoid love as the dream of life, instead, they pretend
to make their 'materialised dreams' come true. However, after their dreams do
come true, they are not satisfied. When they turn over their faces, and realise
that having each other is the dream. This is a soft and gentle film that in some
way affect your heart deep down inside. The struggle the characters experienced
are somehow showing the contradictions that all the immigrants would encounter.
Those two 'immigrants' from mainland of China into HongKong have the reluctance
of choosing between 'dream' or 'love', just like all the foreigners live in a
country would have confused with and took the wrong decision. It is difficult to
settle into one culture, when meet the people from your hometown, you feel like
as if they are closer to you than your family.　　From the fantastic performance from both two actors, the whole structure of
the film is satisfying, and the pace of unwrapping the storyline is as exciting
and surprising as the Christmas presents. The love in the film is somehow very
'pure' and 'simple' from the determination and patience that took them years to
find each other.　　Finally, there is only one thing to say: Among the sea of people,
'yuan'--the invisible and chosen force that connect you with the others in a
particular way is unchangeable and if you believe it, you will never be able to
miss 'the one' for you, no matter what happens, and where you will b.　　Just ask yourself-- billions of people in the world, why do I meet you not
someone else?
论文写作技巧
上周五，3D动画电影《愤怒的小鸟》在中国内地和美国同步开画。以下是愤怒的小鸟经典电影对白。愤怒的小鸟经典电影对白（中英文）1、鸟销售员：大红你好啊，过得怎么样?Red: Oh, I'm horrible!大红：哦，
电影院售票员主要从事电影票的发售 订票等工作。主要是卖票，在前台接待顾客，顾客有什么问题，售票员都要解决。要熟练的认识座位号，以便更好的进行售票服务，其次就是要卖好票!下面上学吧范文网提供
《美人鱼》改编自安徒生同名童话，周星驰一直很喜欢童话故事，外星人、美人鱼、粤语残片是周星驰小时候的东西，他喜欢把小时候的东西搬上电影。拍摄“美人鱼”题材，周星驰是希望拍一些不一样的东西。以下是
我们要保卫雷锋精神。一个没有偶像的时代还是时代吗?一个没有偶像的青春还是青春吗?正确地选择你的偶像，就是正确的选择你的人生。以下关于2016观看雷锋电影心得体会的范文，供大家参考!　　2016观看
当这个人一旦被树立成先进，作为典型的话，他会在最短的时间里面变成为不是人，如果这个人是个坏人，他可以在更短的时间里面变成不是人。以下关于学生观看雷锋电影心得体会的范文，供大家参考!　　学生
&&& 小编语：情人节是一个有爱的节日，在这一天，情侣们可以很浪漫，在一起共同度过，一起经历着人生中很美好的经历。在情人节的时候，也会有很多的商机，很多人都会选择去看电影。以下是
传记电影《飞鹰艾迪》主要讲述了讲诉英国著名跳台滑雪名将飞鹰艾迪的生平事迹。以下是关于飞鹰艾迪观后感200字400字，欢迎阅读！飞鹰艾迪观后感200字——个人感受最后竟然哭了，就在他要往下滑全世界所
小编语：电影《第一书记》主人公沈浩在小岗村任职近6年来，始终以党和人民的事业为重，干事创业，勤奋务实，勇于创新，无私奉献，以实际行动践行科学发展观，忠实履行共产党员的神圣职责，在广大干部群众心
《灵偶契约》讲述了保姆格丽塔照顾一个神秘诡异、常常突然“活过来”的人偶，并且遭遇了一系列扑朔迷离的事件的故事。以下是关于恐怖电影灵偶契约观后感_恐怖片The Boy热门影评。灵偶契约观后感_500字《
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习近平的10个关键词
Tom is a little boy, and he is only seven years old.学习英语单词的时候，遇到不认识的词，或是印象模糊不敢肯定的，必须要亲自去查词典。经过翻阅词典，其影响要比别人告诉你增加好几倍。以下是上学吧范文大全为大家提供的小学生英语演讲短篇小故事，供大家参考!
人生至少要有两次冲动，一为奋不顾身的爱情，一为说走就走的旅行。以下是关于旅行的英语演讲稿的范文，供大家参考!
请输入需要发送的邮箱地址，多个Email用;分隔开来动画设计中对2D方面的色彩研究
内容摘要：近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素，比如电影中的色彩元素，国画中的色彩元素，民间皮影、剪纸中的色彩元素等，而且我国的动画创作者还能大胆学习国外先进的色彩设计经验，移植国外成熟的创作模本，来为我国的动画创作服务。但是，我国动画片色彩设计走向成熟与辉煌的路还很遥远,我们必须实实在在地去应对、解决一系列问题,调整与完善现有条件的内部结构,充分利用已有资源,并且在学习与反思中发现新的运作思维模式,从而开拓出一片更为广阔、自由的市场空间。
关键词：动画片 色彩 人物造型 艺术
In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating. But as we all know ,there is still much things to do for us to make the cartoon
color design mature and glorious. We must deal with it carefully, solve all kinds of problems ,adjust and perfect the inner structure under present conditions. We shall make full use of what we possess and find new thinking methods by learning and self-examination. By these means can we open up broader and freer market space.
Key words: cartoon， color， character shape， art
There is a little lion called Ziba whose father is a king .His parents are very kind to him.He has so many pals and lives a happy life .
Unluckily.his father was killed one day .He thought it was his fault and he regreted a lot.
He lost the touch with his family since then.His two pals helped him to lead a new life .
His mother and other family members thought he had died .One day ,his girlfriend met him by accident .She persuadee him to come back to get his kingdom .He first did not take her advisebut then he agreeed with the help of a magical monkey
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