谁有港囧电影 资-源可否分享一下？27_百度知道
谁有港囧电影 资-源可否分享一下？27
提问者采纳
居然还留了这么一招，他真的怕了啊，他现在脑子就是一片空白，你开个价。“你是要钱是吧，多少钱，是在没有想到赵文言了以后？我给你钱qjcyd冷笑一声，东西交给我。”王安这样说道。“下午三点半，真的怕了
zbb求这部电影的观看地59址？
plnx你是知道
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出门在外也不愁&b&妹妹的，到底是谁有多无聊，打码打成这样还举报……我勒个去！！！&/b&&br&&b&--------------------------------------------------------------------------------------------------&/b&&br&话不多说，上图！&br&动漫般的美少女！&br&&b&徐若瑄！&/b&&br&&b&徐若瑄当年的天使三部曲和那本写真，陪我度过了十二岁到十八岁的青少年时期。&/b&&br&&b&还有一套同名的天使三部曲的小说，堪称杰作！越野天使是其中一部。（擅用搜索引擎才是使用网络资源的正确姿势）&br&拍这套写真集时徐若瑄才15岁，15岁呀！！！她英文名是Vivian Hsu。&/b&&br&&b&上图上图！&/b&&br&&img data-rawwidth=&377& data-rawheight=&600& src=&/adb1a0de7b9ff65c40f6d8_b.jpeg& class=&content_image& width=&377&&&br&&br&&img src=&/9c99ef5c90_b.jpg& data-rawwidth=&295& data-rawheight=&480& class=&content_image& width=&295&&&img src=&/9b88a37b172c9f46a7c118cd905a6fd1_b.jpg& data-rawwidth=&400& data-rawheight=&533& class=&content_image& width=&400&&&img src=&/ac6e57a2fdb7b298212fe_b.jpg& data-rawwidth=&414& data-rawheight=&600& class=&content_image& width=&414&&&img src=&/4f69bebfce6000ba67dada9_b.jpg& data-rawwidth=&686& data-rawheight=&900& class=&origin_image zh-lightbox-thumb& width=&686& data-original=&/4f69bebfce6000ba67dada9_r.jpg&&&img src=&/2fecffdae40a9_b.jpg& data-rawwidth=&940& data-rawheight=&666& class=&origin_image zh-lightbox-thumb& width=&940& data-original=&/2fecffdae40a9_r.jpg&&&img src=&/a33c0fd2d1_b.jpg& data-rawwidth=&398& data-rawheight=&600& class=&content_image& width=&398&&&br&&b&（插播，以前记得有个朋友推荐给我一位日本写真女星的写真，非常棒，没记错名字应该是四个字，有一段在海边玩丝巾还是什么的特别特别赞，跪求她的姓名。我记得曾在youku上看过她的写真视频，长达1个半小时到2小时，我收藏了但不知道为什么不见了，请诸位大神帮帮忙帮帮忙&/b&&br&&b&&img src=&/54af03fb7b0f0b8b6c142dacb069e02f_b.jpg& data-rawwidth=&543& data-rawheight=&69& class=&origin_image zh-lightbox-thumb& width=&543& data-original=&/54af03fb7b0f0b8b6c142dacb069e02f_r.jpg&&这就博大家一笑了哈哈）&br&&br&&/b&&br&&b&如果你问我为什么看的到，因为我十二岁的时候，中国还没有网络墙。&/b&&br&&b&那时候的18ok，情瑟小站，台湾中文网……哎，童年的回忆你们都不会懂的。&/b&&br&&b&挂着一个3kb/s，用http协议下载的苦，你们也是永远不会懂的。&/b&&br&&b&什么BT彗星，flashget，emule，千奇百怪的下载软件你们也是不会懂得……&/b&&br&&b&3kb/s跳到10kb/s的兴奋，你们也是不能理解的……&/b&&br&&b&有些站点不支持断点续传，2天2夜不关机盯着进度条的痛苦，也没人会懂了。。。&/b&&br&&b&现在的网络氛围和当年也是不能比了。。。&/b&&br&&br&&br&&b&如果你问我近往前推往后推50年，全亚洲最美的女人是谁。&/b&&br&&b&我的回答就是，徐若瑄。&/b&&br&&b&那个Yurisa我也看过，确实很不错。但由于韩国整容之风太盛……不予置评。&/b&&br&现在上网的年轻人，很多东西已经不懂或者没法懂了，可惜。&br&&br&&br&&b&------------------------------------------------------------------徐若瑄----------------------------------------------------------------&/b&&br&&b&---------------------------------------------------------------最美的少女------------------------------------------------------------&/b&&br&&br&&br&&b&刚看到了大神回复帮助我想起了她的名字！！！&/b&&br&&b&仓科加奈！！！实在是太美太俏皮了啦！&/b&&br&&b&&a class=&internal& href=&/?target=http%3A///v_show/id_XNDIzMDc0MTQ4.html&&
/v_show/id_XNDIzMDc0MTQ4.html
&/a&GIF图就自己找去吧！&/b&&br&&b&--------------------------------------------------------------------------------------------------------------------------------------------&/b&&br&&b&赞已过百，送上youku超清68分钟仓科加奈 海滩天使！&/b&&br&&b&&a href=&/?target=http%3A///v_show/id_XMzY4NDE5MDgw.html& class=&internal&&海滩天使仓科加奈在斯特德布鲁克岛&/a&&br&&/b&&br&自己点击吧，内置浏览器传不上来。&br&请认真看完68分钟，要对得起拍摄者和模特的这一番心血！&br&&br&&br&&b&看了这个你们才懂，那些什么微博网红都是些什么鬼！&/b&&br&&b&都是些什么鬼！多看看正版日本写真朋友们！&br&感谢 黄山大神的指点迷津！&/b&
妹妹的，到底是谁有多无聊，打码打成这样还举报……我勒个去！！！--------------------------------------------------------------------------------------------------话不多说，上图！动漫般的美少女！徐若瑄！徐若瑄当年的天使三部曲和那本写真，陪我…
~~~流量党一定要慎入~~~&br&以下答案搬运整理自优酷 Fview------Fview千元照片打印机横评&br&如果版权方面有问题，请相关人员私信联系删除&br&原视频地址：&br&&a class=& wrap external& href=&///?target=http%3A///v_show/id_XMTMyMTgyODI5Ng%3D%3D.html%3Ffrom%3Ds1.8-1-1.1%23paction& target=&_blank& rel=&nofollow noreferrer&&FView 消费观&i class=&icon-external&&&/i&&/a&&br&&br&&img src=&/bcc997ada6f70df94cfc97be_b.jpg& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/bcc997ada6f70df94cfc97be_r.jpg&&&br&&b&Fview对比了三种千元以下家庭照片打印机：&/b&&br&1. 拍立得-感光显影定影打印机：富士Instax Share SP-1（这个和拍立得是同样技术）&br&2. Zink无墨技术打印机：LG-PD238T&br&3. 热升华打印机：佳能-CP910&br&------------------------------------------------------------------------------------------------------------------------&br&&b&富士Instax Share SP-1特点：&/b&&br&携带方面：重量轻，体积小&br&电池续航：100张左右&br&使用相纸：拍立得3寸相纸&br&每张平均打印时间：22秒&br&&b&总结：画质渣，相纸贵，自带小清新信仰加成&/b&&br&&br&&br&&b&LG-PD238T 特点：&br&&/b&&br&携带方面：这货大小就是个移动电源&br&电池续航：未知（不过和手机一样的接口，可以移动电源供电）&br&使用相纸：3寸相纸&br&每张平均打印时间：68秒&br&&b&总结：&/b&&b&画质渣，相纸贵，体积最小&/b&&br&&br&&br&&b&佳能-CP910特点：&/b&&br&&br&携带方面：最像台式打印机，不便携&br&&br&电池续航：未知&br&使用相纸：6寸相纸&br&每张平均打印时间：115秒&br&&b&总结：&/b&&b&画质优秀，相纸价格可接受，它是个台台...台式打印机&/b&&br&------------------------------------------------------------------------------------------------------------------------&br&&br&&b&对比：&/b&&br&&b&------实验对照组：&/b&&br&&img src=&/12589ae60eaa1cdbb979ac8c919f6b5b_b.jpg& data-rawwidth=&1920& data-rawheight=&1460& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/12589ae60eaa1cdbb979ac8c919f6b5b_r.jpg&&&br&&br&&b&------富士Instax Share SP-1&/b&&br&&img src=&/4d5683473c_b.jpg& data-rawwidth=&1920& data-rawheight=&1572& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/4d5683473c_r.jpg&&&img src=&/6afaf9adf085ee702cd4a0de30573b79_b.png& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/6afaf9adf085ee702cd4a0de30573b79_r.png&&&br&（画外：看到这个价格只想呵呵了...）&br&&br&&b&LG-PD238T ：&/b&&br&&img src=&/b2e15f1afdc0a5db2b397c_b.jpg& data-rawwidth=&1920& data-rawheight=&2784& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/b2e15f1afdc0a5db2b397c_r.jpg&&&img src=&/2edaa699cc05bf2b26a4764c_b.jpg& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/2edaa699cc05bf2b26a4764c_r.jpg&&&br&&br&&b&佳能-CP910：&/b&&br&&br&&img src=&/b96ad96b9fab375d22bbb8_b.jpg& data-rawwidth=&1920& data-rawheight=&2788& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/b96ad96b9fab375d22bbb8_r.jpg&&&img src=&/a9f07cbdd0f7cf3_b.jpg& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/a9f07cbdd0f7cf3_r.jpg&&&br&&br&作为照片打印机，CP910一直是张大妈海淘的热门货。&br&Fview已经不屑于拿他和同行竞争了，于是用CP910和冲洗 喷墨 激光三种商业打印机做了对比。&br&&img src=&/9ff73b0ce8c5d4170bc26dd_b.jpg& data-rawwidth=&1920& data-rawheight=&2920& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/9ff73b0ce8c5d4170bc26dd_r.jpg&&&img src=&/13bd2c95_b.jpg& data-rawwidth=&1920& data-rawheight=&954& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/13bd2c95_r.jpg&&&br&&br&&b&耐受度测试：&/b&&br&&b&1.水浸：&/b&&br&&b&&img src=&/bc0cc23f4aee86b2c8a95_b.jpg& data-rawwidth=&1920& data-rawheight=&1592& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/bc0cc23f4aee86b2c8a95_r.jpg&&2.刮蹭：&/b&&br&&b&&img src=&/ccce73a13eeb8f86c2c4b4ee_b.jpg& data-rawwidth=&1920& data-rawheight=&2336& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/ccce73a13eeb8f86c2c4b4ee_r.jpg&&3.撕扯：&/b&&br&&img src=&/16f6d499ed3d_b.jpg& data-rawwidth=&1920& data-rawheight=&2508& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/16f6d499ed3d_r.jpg&&&br&&br&&b&总结：&/b&&br&&img src=&/fe8032cbda2e92f258efe2d4adc24343_b.jpg& data-rawwidth=&1920& data-rawheight=&1664& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/fe8032cbda2e92f258efe2d4adc24343_r.jpg&&&br&&br&p.s. 玩拍立得的可以再看看camlogic的一期视频：&br&&a href=&///?target=http%3A///v_show/id_XODExMzYzNDA0.html%3Ffrom%3Ds1.8-1-1.2& class=& wrap external& target=&_blank& rel=&nofollow noreferrer&&CamLogic相机逻辑&i class=&icon-external&&&/i&&/a&&br&看看这两个严肃的逗比是如何看待拍立得的。&br&&img src=&/acfb187ea1f_b.jpg& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/acfb187ea1f_r.jpg&&&img src=&/dccb13e61066dbe86a52ba_b.jpg& data-rawwidth=&1920& data-rawheight=&1080& class=&origin_image zh-lightbox-thumb& width=&1920& data-original=&/dccb13e61066dbe86a52ba_r.jpg&&&br&p.p.s. 拼图拼得累成狗&br&&br&知道真吊丝用什么吗？&br&&img src=&/aecb0f6553a82_b.jpg& data-rawwidth=&1892& data-rawheight=&1164& class=&origin_image zh-lightbox-thumb& width=&1892& data-original=&/aecb0f6553a82_r.jpg&&我们都用商场的微信打印机免费打印.....
~~~流量党一定要慎入~~~以下答案搬运整理自优酷 Fview------Fview千元照片打印机横评如果版权方面有问题，请相关人员私信联系删除原视频地址：Fview对比了三种千元以下家庭照片打印机：1. 拍立得-感光显影定影打印机：富士Instax Share SP-1（…
几年前同时购入了松下卡片机和拍立得。&br&我用拍立得记录下了很多瞬间，相纸淘宝买的很便宜平均3.5元一张。&br&我好朋友出国我去机场送机，当时咔嚓了几张，好朋友也是第一次用这种相机，兴奋的把我们的一张合影放进钱夹，她带着我们的合影玩遍了欧洲，很多次她跟陌生人聊天，都掏出钱夹跟人介绍她最好的朋友。我有一次回老家在江边公园碰到陌生的情侣拍婚纱照，我在远处用拍立得给他们拍了一张，虽然有点小模糊，但是将照片送到那个准新娘面前时，她盈眶的样子现在还记得，当时她的原话是：你是记者吗。。我们小地方没见过这种机器！好神奇。。然后转身跟那个摄影师说给她弄一个拍立得相纸尺寸的相框她要装起来。我相信没有人觉得3.5元记录的这几个瞬间是很烧钱的吧…没有拍立得，这一切都没有，就算这一切的瞬间都发生过，但是永远都无法让你再有那么清晰的回忆了。&br&当然买了拍立得我还想要徕卡M9啊，我还想要佳能7D啊,怎么啦怎么啦，虽然这些我都要自己去赚啊，但是题主女友只要拍立得真的是太有妇德了好吗！！！
几年前同时购入了松下卡片机和拍立得。我用拍立得记录下了很多瞬间，相纸淘宝买的很便宜平均3.5元一张。我好朋友出国我去机场送机，当时咔嚓了几张，好朋友也是第一次用这种相机，兴奋的把我们的一张合影放进钱夹，她带着我们的合影玩遍了欧洲，很多次她跟…
为避免大家冲动消费胡乱败家，想买的请研读答案末尾部分。&br&----------------以下是原答案---------------------------------&br&我来答我来答，这个我知道！！！&br&&br&问问你的妹子为什么不买&b&照片打印机&/b&呢？秒杀拍立得啊！！！&br&&br&比如这个（我买的是这款，更大的更小的更便携的其实都有）：&br&&br&&img src=&/cba1299ca19f_b.jpg& data-rawwidth=&448& data-rawheight=&336& class=&origin_image zh-lightbox-thumb& width=&448& data-original=&/cba1299ca19f_r.jpg&&&br&&br&&br&优点如下：&br&1.打印很方便，&b&手机可以通过WIFI直接打印&/b&，是直接打印不用任何其他设备哦，只要设备和手机接入同一个WIFI~电脑打印、U盘打印、SD卡当然也是支持的呢。你的好相机就不浪费了对吧？&br&2.实物很小，也就一个化妆包那么大（打印时加上进纸盒面积会大些）。&br&3.照片清晰度只比洗出来的低一点点，不细看基本发现不了。尺寸有5寸和6寸的，比拍立得大很多。&br&4.这货打出来的&b&照片据官方说能保存一百年&/b&，不过我刚用一年多当然没验证过啦。这点秒杀几年就褪色的拍立得——拍的再多，到老一点回忆都没有。&br&5.这货可以另够移动电源，&b&同样便携哎&/b&，带出去逛街虽然不方便，但聚个会、旅个游什么的带出去也很有面子的唉。&br&6.机器800多元，相纸和墨算在一起1、2块钱一张。&br&&br&&br&&b&最最重要的，你可以自己改照片！！！小清新！！！LOMO！！！PS！！！美图秀秀！！！&/b&&br&&img src=&/eeb96eec954b0b6cb47196_b.jpg& data-rawwidth=&448& data-rawheight=&280& class=&origin_image zh-lightbox-thumb& width=&448& data-original=&/eeb96eec954b0b6cb47196_r.jpg&&&br&这图它能打出来，拍立得能么？&br&&br&&br&&br&&img src=&/fc67be755cfe7cca122a_b.jpg& data-rawwidth=&448& data-rawheight=&336& class=&origin_image zh-lightbox-thumb& width=&448& data-original=&/fc67be755cfe7cca122a_r.jpg&&&br&这图拍立得能做么？&br&&br&&br&&br&&img src=&/998d9cef75b3bb2c094ed8bffa05830b_b.jpg& data-rawwidth=&480& data-rawheight=&640& class=&origin_image zh-lightbox-thumb& width=&480& data-original=&/998d9cef75b3bb2c094ed8bffa05830b_r.jpg&&&br&这图拍立得倒是打一个啊！！！恩！！！（配合照片表情）&br&&br&周末在家把自己平时拍的照片，修修改改，带个眼镜加个帽子什么的。更可以发挥想象力啊！多媒体艺术家！！！&br&弄好了直接一打印，看着照片打印机分三原色一层一层的把照片打印出来，看着真舒心啊~~~&br&&br&别说你家妹子不会PS哈！！！！！！&br&&br&有朋友问相纸怎么买，当然是淘宝啦，是这样子的：&br&&img src=&/ba51ddc7eaf09_b.jpg& data-rawwidth=&247& data-rawheight=&423& class=&content_image& width=&247&&&br&里面有36张相纸和一个色带，色带就是盒面上那个黑黑的东西，一盒色带基本正好打36张（也有108张的），用完即抛。也就是说买盒这个就不用另购其他耗材了。参考价我就不贴了，京东天猫都有。（要不更象广告了）&br&&br&（PS：手头没照片，所以图片转自网络，如有侵权请联系本人。&br&利益声明：本人无任何相关利益，纯公益推荐。如有虚假，今天晚上打嗝一宿！！！）&br&-------------------缺点的分割线-------------------------&br&刚刚破五百赞，为了不误导大家，我要特别强调这东西的缺点。&br&&br&我买的这款：&br&1：打印效果OK，但算不上完美，盯着照片看是可以发现效果不如洗像店的。玩镜头朋友建议别入了。手机党搞搞生活创意还行。黑色和其他颜色交界处隐约有一丁点黑色溢出的感觉。&br&2：因为我没有买配套的充电电池，所以基本是家用，用之前要连接打印线和打印盒，有点小麻烦。这东西很小，但装好待命时得摊开用。另外别指望在行驶的车里打印啊。&br&3：打上瘾了就觉得耗材贵了……&br&&br&要不要买，最终是自己说了算的，别人说的再好都不算数。希望各位购买前考虑好自己的实际需求， 不要跟风随大流，不然买错了东西我可不负责呦。
为避免大家冲动消费胡乱败家，想买的请研读答案末尾部分。----------------以下是原答案---------------------------------我来答我来答，这个我知道！！！问问你的妹子为什么不买照片打印机呢？秒杀拍立得啊！！！比如这个（我买的是这款，更大的更小的更…
&b&&u&只是有感而发地简单扯扯淡，觉得我说话太多太烦太直白的话，请见谅。&/u&&/b&&br&&br&看了一圈这个题的答，有抖机灵的，有不明真相吃瓜群众的，也有迷之装资历的，摄影版块还是那么迷。&br&&br&&a data-hash=&b8551cac& href=&///people/b8551cac& class=&member_mention& data-editable=&true& data-title=&@王习麟& data-tip=&p$b$b8551cac&&@王习麟&/a& 的答相较之下，的确是题主短时间内能跟老师谈笑风生的一个最直截了当的方法，但是，长远来讲，尤其是对于一个摄影专业的学森发展来说，还是有点naive。&br&&br&——————首先，惯例的扯淡——————&br&&br&1.题主选的片是糖水片（但是题主说这是拍着玩的，姑且理解为并不是题主的真正课内作品？？），并且风格偏向模仿，技术层面（构图、光线应用、后期等）还有所欠缺，题主必须接受这个事实并且做出反思、学习，具体的我不展开讨论，不是重点也不是难点。&br&&br&2.老师的“嘲笑”&br&&br&a.假如题主真的学习了半年的“理论”，在咀嚼这些理论之后你拿出的还是这几张家里拍着玩的片的话，老师必然会觉得很莫名，哪怕他是个老法师。。。或者说，答主只是研习了技术层面这样的理论？&br&&br&b.嘲笑嘛，估计是题主你跟他经常撕逼的缘故吧，但是当你被一个长者嘲笑的时候，你要做的是……&br&&br&膜！&br&&br&哦不不不。。。你应该让他给出他的定义，他嘲笑你缺乏内涵，那么他所认为的内涵是何物？&br&&br&3.“内涵”这个梗？&br&&br&私以为，“内涵”和HDR应该并列为键盘摄影界的两大万精油。&br&&br&一张视觉冲击感强力的图往往会被吃瓜群众吐槽一句：审美疲劳，缺乏内涵。&br&&br&而面对未知的后期风格时，则会有人说：HDR完曲线拉一拉。&br&&br&简直是笑话。&br&&br&——————扯淡结束——————&br&&br&这是个什么人都能谈论摄影的年代，因为相对于绘画那对画这个创作过程的高要求，摄影的创作过程&b&&u&似乎&/u&&/b&只是个从取景器到按快门的简单差事，所以但凡能应用拍照这个动作的人，都自以为能参与谈论摄影。&br&&br&那么，当一个摄影爱好者逐渐认识到，自己的照片缺了点什么，为此而感到迷茫，未尝不是件好事儿。&br&&br&诚然，有很多人这时候可以蹦出一个词儿，“内涵”。然而，很多人所认为的内涵，往往是想当然的，通过自己日常经验和个人逻辑所臆断的一个词。&br&&br&天天把这货挂在嘴边的，张口闭口大谈内涵的，十有八九无法定义内涵，也拍不出什么富含内涵的片。&br&&br&就我个人经验而言，反省之余，你可以试着做这几件事儿。&br&&br&1.建立自己的认知&重新定义自己。&br&&br&对于摄影中的“内涵”这种属性，或者该这么说，照片中，【&b&&u&事物表面之下所蕴含的真实】，是神圣、值得敬畏以及必须被认真对待的，你每一次提及它时，你都必须小心谨慎，在心中首先要说服自己，给自己一个可以信服的阐述，给自己一个自己配得上谈论它的理由。&/u&&/b&&br&&br&纵观摄影史，无数摄影先辈前赴后继，用着各种观察方式、表现方法来追寻、探求它，可以这么说，&b&&u&摄影一直都是一个摄影师借助相机/图片这个媒介在追求、超越“真实”的一个过程&/u&&/b&。&br&&br&这个过程是一个可以仅记录表面上的，比如美、丑、视觉冲击等最肤浅的外在，也可以是一种绝对冷漠态度下的，即抛去那些会分散注意力的视觉冲击感等元素，对眼前的一种纯粹客观的描绘，更可以是抛开以上所有的，将影像作为一种个人情绪表达的，一种主观的的纪实方式。&br&&br&比如，以此篇论文中的观点为例：&a href=&///?target=http%3A///2010/07/theory-walker-evans-and-robert-frank.htmlWalker& class=& external& target=&_blank& rel=&nofollow noreferrer&&&span class=&invisible&&http://www.&/span&&span class=&visible&&/201&/span&&span class=&invisible&&0/07/theory-walker-evans-and-robert-frank.htmlWalker&/span&&span class=&ellipsis&&&/span&&i class=&icon-external&&&/i&&/a&&br&&br&&img src=&/1c69fe110c7c41d2bffd3_b.jpg& data-rawwidth=&5150& data-rawheight=&4083& class=&origin_image zh-lightbox-thumb& width=&5150& data-original=&/1c69fe110c7c41d2bffd3_r.jpg&&（Walker Evans, Street and Graveyard in Bethlehem. Pennsylvania , 1936)）&br&&br&Evans的大画幅所拍摄的城中墓地，他一如既往的极致的冷漠、&b&&u&朴实&/u&&/b&、而且认真（在最适合的光线下尽可能的来整体描述场景）的态度下，展示给你的就是这样一个客观的，无法反驳的，本该如此的&b&&u&历史场景&/u&&/b&。&br&&br&&img src=&/e1eafb914ffd652e1c1ae0_b.jpg& data-rawwidth=&655& data-rawheight=&1004& class=&origin_image zh-lightbox-thumb& width=&655& data-original=&/e1eafb914ffd652e1c1ae0_r.jpg&&&br&&br&（Robert Frank, Crosses on Scene of Highway accident - U.S.91, Idaho, 1955）&br&&br&而Robert Frank的这张照片同样是关于墓地，但照片中还展现出的是刻意经过压缩的天空，图片上粗糙的颗粒，以及刻意聚焦前景造成的车祸者的十字架的模糊等要素，这些要素使得原先的主题，墓地，变得“模糊”，而他所要记录的那种情绪——死亡、压抑与悲伤，则清晰了起来。&br&&br&&img src=&/a8e8e49d68c406178cbf39cb6ede236c_b.jpg& data-rawwidth=&595& data-rawheight=&421& class=&origin_image zh-lightbox-thumb& width=&595& data-original=&/a8e8e49d68c406178cbf39cb6ede236c_r.jpg&&&br&(Evans Westchester, New York, Farm House, 1931)&br&&br&同样的，还是Walker Evans的图，体现大萧条年代下，佃农生活的纪实报道，描绘了农场房子与农场房前的车。&br&&br&&img src=&/cb34b7bdaa_b.jpg& data-rawwidth=&1200& data-rawheight=&804& class=&origin_image zh-lightbox-thumb& width=&1200& data-original=&/cb34b7bdaa_r.jpg&&&br&（Frank Covered car——Long Beach, California, 1956）&br&&br&Robert Frank 以相似的构图来拍摄车，但不同的是，在他的主观把握之下，这辆车仿佛是一个被盖上白布的死者一般，流露出一种他（影集The Americans中主旋律）所想表达的沉重、压抑。&br&&br&&blockquote&But after having made it instinctively, unless I fell that the product is a &em&transcendence&/em& of the thing, of the moment in reality, then I haven’t done anything, and I throw it away.&/blockquote&&br&引用一下Walker Evans采访中的原话，拍照这个机械动作虽出自本能，&u&&b&但“摄影”应该是对事物本身的超越。&/b&&/u&&br&&br&2.学会“看”&br&&br&重新定义自己后，意味着你要对外界有着更深刻的感知。&br&&br&&blockquote&Saint-Exupery, “it is only with the heart that what is essential is invisible to the eye.” &/blockquote&&br&“看”，更应该是&b&&u&用心去观察体会&/u&&/b&，而物质的表象往往会蒙蔽你的双眼。&br&&br&摄影从某种意义上来说，也是种再创造/复制（reproduce）的行为，每一张照片同时也是一种你观看世界的方式。&br&&br&入门的话，这里推荐一下John Berger的书，比如Ways of seeing（观看之道），改编自BBC的纪录片，建议先看纪录片再看书，很好理解。&br&&img src=&/5ea744f85e930d66dd0c341babae2cac_b.jpg& data-rawwidth=&2852& data-rawheight=&1624& class=&origin_image zh-lightbox-thumb& width=&2852& data-original=&/5ea744f85e930d66dd0c341babae2cac_r.jpg&&&br&比如，他纪录片中的一个例子，同样一副画，摆在你的面前，当相机拍摄的是整幅画时，右边的这只狗，主要是作为古典绘画里的一种讽刺存在。&br&&br&比如：&br&&img src=&/dbecccb0134ab_b.png& data-rawwidth=&305& data-rawheight=&300& class=&content_image& width=&305&&&br&&br&&br&&br&&img src=&/65bda_b.jpg& data-rawwidth=&2838& data-rawheight=&1640& class=&origin_image zh-lightbox-thumb& width=&2838& data-original=&/65bda_r.jpg&&&br&而拉近镜头时，由于特写，他的身份不再是一个大的主题里的某个元素，而是变成了主体，那么此时他的存在，可能只是在说明，这里有条单身狗。&br&&br&再引用一个他书中的观点：&br&&blockquote&&p&每张照片，多少能察觉到摄影师从无数可供选择的景观中，挑选了眼前的这角度，即使在随意拍摄的家庭快照中也是如此，摄影师的观看方法，反映在他对题材的选择上。&/p&&/blockquote&&br&所以你必须要学会“看”，明白你要怎么观察世界，理解别人的图片等等。&br&&br&3.读书&br&&br&我说了这么多，其实还是想告诉各位，多看书。&br&&br&题主，作为修摄影的骚年，会跑来知乎问这个问题，尤其是这种如此新人的问题，归根结底还是缺乏知识储备。&br&&br&这里说的书主要指的是&br&&br&a.摄影史，你必须明白前人做了什么，然后才能明白现在在捣鼓什么，再找出自己感兴趣的部分展开来研究，这是一个摸索的过程。&br&&br&b.具体摄影名家的画册，创作的过程注定无法逃避这样一条规律：模仿——复制——创新。&br&&br&c.摄影的论文、断论、期刊，比如上文提及的文章、书籍这样行内人的论文，比如桑塔格这种文学人士著写的《论摄影》里的断论。&br&&br&至于具体该看什么，读什么，请运用自己的自学能力去搜索，不赘述。&br&&br&P.S. 尽量看外文书籍，不解释。&br&&br&4.走出去。&br&&br&从宅着的宿舍走出去，从校园内走出去，从会让你感到沾沾自喜的圈子里走出去，往前走，把以前的自己，现在的自己，都远远地抛在脑后。&br&&br&——————最后——————&br&&br&勇气与自信，来自于知识储备，而非无知。&br&&br&好好像西方记者学习，早日和老师谈笑风生，别做一个只会按快门修修图的&b&&u&文盲&/u&&/b&。&br&&br&以上。
只是有感而发地简单扯扯淡，觉得我说话太多太烦太直白的话，请见谅。看了一圈这个题的答，有抖机灵的，有不明真相吃瓜群众的，也有迷之装资历的，摄影版块还是那么迷。 的答相较之下，的确是题主短时间内能跟老师谈笑风生的一个最直截了当的方法，但…
Photoshop可以处理的，过程并不难。&br&简单讲一下思路：拿到素材人物后只需要把暗部用水彩质感的素材替换掉即可。&br&下面分步骤说下：&br&素材人物，咱找个美女吧，（这样围观群众会多一些）&img src=&/3a7aed5d361c6831cfe99a1_b.jpg& data-rawwidth=&1110& data-rawheight=&672& class=&origin_image zh-lightbox-thumb& width=&1110& data-original=&/3a7aed5d361c6831cfe99a1_r.jpg&&1.如果素材不是白底需要抠图，略去不说，复制一层，去色。&img src=&/d5ec7de8ff592_b.jpg& data-rawwidth=&978& data-rawheight=&621& class=&origin_image zh-lightbox-thumb& width=&978& data-original=&/d5ec7de8ff592_r.jpg&&观察一下因为我们要实现的效果有点类似绘画，所以需要对比度大一些，调整曲线尽量使中间色调少一些，明暗的区分明显点，调的像下面这个就差不多了。&br&&img src=&/b44d311cddb2de635925bbc7a7f3384e_b.jpg& data-rawwidth=&1113& data-rawheight=&671& class=&origin_image zh-lightbox-thumb& width=&1113& data-original=&/b44d311cddb2de635925bbc7a7f3384e_r.jpg&&2.开始堆素材。百度搜索“墨迹“&img src=&/6f17c1928efccea34fd19e87cf27a7f1_b.jpg& data-rawwidth=&1831& data-rawheight=&605& class=&origin_image zh-lightbox-thumb& width=&1831& data-original=&/6f17c1928efccea34fd19e87cf27a7f1_r.jpg&&就是这些，直接一块一块的截图往图片上做正片叠底，老实说这一步做的时候，如果不较真并不需要注意太多内容，唯一需要注意的是：不要遮盖到面部和一些主要细节部分，简言之就是别打脸。&img src=&/badcca1fbf0103ffefc5c_b.jpg& data-rawwidth=&1108& data-rawheight=&670& class=&origin_image zh-lightbox-thumb& width=&1108& data-original=&/badcca1fbf0103ffefc5c_r.jpg&&较真是什么意思？就像你给出的例子里的那些用到了不少墨水滴下来的效果，滴的方向要保持一致，还有出现墨迹的地方应该相对集中在原图中黑色比较重的地方，诸如此类的细节，在做的过程中需要调整使之看起来舒服。我在这里只提供下思路，细节就从简了（好啦，你们知道是因为我懒）&br&多加了一些墨迹，我加成这个样子了&img src=&/48d9acbddfd7b1f07e6befe_b.jpg& data-rawwidth=&896& data-rawheight=&644& class=&origin_image zh-lightbox-thumb& width=&896& data-original=&/48d9acbddfd7b1f07e6befe_r.jpg&&3.新建一层，选取高光（cs3以上版本按ctrl+alt+2这个快捷键），反选，就是选择图形中的暗部了，建立一个蒙版。（这里没有说明白，特来补充，原来的文件已经扔了。不好意思）&br&&img src=&/0982515eec9e1f35f9adb3_b.jpg& data-rawwidth=&248& data-rawheight=&232& class=&content_image& width=&248&&&br&找到一个水彩素材，这里就随意找了一张（素材来源：百度图片搜索：水彩质感）&br&&img src=&/d59ec51c883b_b.jpg& data-rawwidth=&585& data-rawheight=&378& class=&origin_image zh-lightbox-thumb& width=&585& data-original=&/d59ec51c883b_r.jpg&&找到水彩质感的图片素材贴进来，因为原图比较大，所以做了一点拼接&img src=&/5b592b3d1feb8ddda40faf3a_b.jpg& data-rawwidth=&1184& data-rawheight=&501& class=&origin_image zh-lightbox-thumb& width=&1184& data-original=&/5b592b3d1feb8ddda40faf3a_r.jpg&&&br&应用刚刚的蒙版。这个就是直接把图层2 上面的蒙版拖到“图层3拷贝”那个上面，这就完事了啊！&img src=&/ded926c2d9d_b.jpg& data-rawwidth=&1114& data-rawheight=&669& class=&origin_image zh-lightbox-thumb& width=&1114& data-original=&/ded926c2d9d_r.jpg&&&br&&br&对了，要加个字的，用刚刚差不多的方法给加个文字吧，顺便拉一张纸张纹理的素材放在最上面做正片叠底给整张图片加点质感，最后上个完成稿。&img src=&/3915cae1be6facd9d1503caece4db3ca_b.jpg& data-rawwidth=&1113& data-rawheight=&670& class=&origin_image zh-lightbox-thumb& width=&1113& data-original=&/3915cae1be6facd9d1503caece4db3ca_r.jpg&&有哪里没说明白的，评论里留一下我来修正答案。就酱。
Photoshop可以处理的，过程并不难。简单讲一下思路：拿到素材人物后只需要把暗部用水彩质感的素材替换掉即可。下面分步骤说下：素材人物，咱找个美女吧，（这样围观群众会多一些）1.如果素材不是白底需要抠图，略去不说，复制一层，去色。观察一下因为我们…
&img data-rawwidth=&640& data-rawheight=&2716& src=&/56fecc14f8c6c05d29f5_b.jpeg& class=&origin_image zh-lightbox-thumb& width=&640& data-original=&/56fecc14f8c6c05d29f5_r.jpeg&&&img data-rawwidth=&640& data-rawheight=&2741& src=&/f9d6c3d3cecc_b.jpeg& class=&origin_image zh-lightbox-thumb& width=&640& data-original=&/f9d6c3d3cecc_r.jpeg&&&img data-rawwidth=&640& data-rawheight=&613& src=&/169b12da927b49f7d8bc94_b.jpeg& class=&origin_image zh-lightbox-thumb& width=&640& data-original=&/169b12da927b49f7d8bc94_r.jpeg&&&br&&br&&br&换了个清晰版本/谢谢大家给的赞!!&br&电影名《成长教育》&br&看评论会被剧透的哦～
换了个清晰版本/谢谢大家给的赞!!电影名《成长教育》看评论会被剧透的哦～
自己一点小小的整理和见解，（拉到下方，日更新）&br&&p&1、《太子妃升职记》改编自同名小说，作者是鲜橙。这只是作者一次最随意最搞笑的写作，也不知道为什么就写了出来还拍成了剧。&/p&&br&&p&2、导演是侣皓吉吉，海岩的儿子，师从赵宝刚多年。&/p&&br&&p&3、剧组省钱到什么程度，从编剧就开始省，剧本中只用了原著中的10%到15%的素材， 连原作自己都说&/p&&br&&p&4、剧组只有一台鼓风机和一个风枪。据说导演曾经想借两个，还遭到了拒绝。&/p&&br&&p&5、关于整个剧组被马来榴莲承包一事，太子妃张天爱回答，其实每次有榴莲的戏份基本都有她，但是很多时候道具的榴莲只是个空壳， 要用的时候把它给粘回去用。&/p&&br&&p&6、另一个剧组穷的表现，就是赞助商只有金戈，对的你没看错。连原作者就出来吐槽了。为此还专门拍了2集广告表达感谢。&/p&&br&&p&7、剧组的群演是从隔壁剧组挖过来的。来演的都算特约演员。&/p&&br&&p&8、还曾经发生过剧组化妆师要辞职事件。&/p&&br&&p&9、拍摄现场的建筑都是临时搭建的，拍完就推了。那个地板是擦了油才那么亮的，很容易滑倒。&/p&&br&&p&10、剧组的服装是参考了年顶级的品牌设计。20天时间赶制100套，在拍的过程中就出现了不停的做好送来现场的景观。&/p&&br&&p&11、太子齐晟有一条锦鲤鱼的服装，其实是因为锦鲤一直被视为财富地位的象征，是大吉的象征。 不论是在我国的八卦玄学中，还是在西方的塔罗奥义里，东方都代表成功和发展。而西方总是代表金钱和社会地位，又由于西方是落日之方缺乏乏“金”质，故在西方位摆放黄金锦鲤是最旺运招财的作法.&/p&&br&&p&12、关于战场上神奇的铠甲，其实是导演对美剧《斯巴达克斯》的喜爱和致敬。而身后的架子则是有一定身份的人的象征，表明在战场上起到鼓舞气势的作用。而且导演希望画面不是静止的，而是用鼓风机吹起来呈现动态。&/p&&br&&p&13、另外必须吐槽的是，那个铠甲上还有肚脐。&/p&&br&&p&14、里面的演员，只有江式是专业学习表演的&/p&&p&。&/p&&p&15、关于太子妃的名字，原作者鲜橙表示，这是出自《诗经》诗句“我行其野，芃芃其麦”，大意是我行走在田野间，田野里的麦子生长的非常茂盛。在小说中，成祖（齐晟的爷爷）心口有颗朱砂痣叫阿麦，芃芃出生时，恰巧成祖在张府与阿麦久别重逢，于是闷骚的成祖就给太子妃起了这么个名字。&/p&&br&&p&16、太子妃的角色原来是为应采儿量身打造的，后来因为采儿希望给新人更多机会，才让导演在众多人中发现了张天爱。&/p&&br&&p&17、九王扮演者于朦胧最爱自己白色的着装，但是对于每次都露大腿的拍摄，他自己本人感到特别害羞。&/p&&br&&p&18、九王好基友杨严，1997年出生。是被剧组副导演在微博上发现的。&/p&&br&&p&19、赵王的扮演者是“青鸟飞鱼”组合的江奇霖。&/p&&br&&p&20、据说绿篱是全剧组最能吃的一个，却一直没有胖。&/p&&br&&p&21、扮演强公公的演员叫彭昱畅，将作为天天小兄弟一员登上《天天向上》&/p&&br&&p&22、《太子妃升职记》一切景象都是主角的一场梦境，主角意识流的穿越，一切奇特画风、设定都是主角脑中的幻想。不同于之前的穿越剧是身体的穿越，此剧是思维的穿越&/p&&br&&p&23、张芃芃在妃子时期的住所以蓝色为主色调，随着她心理逐渐转换成女人，在11集她晋升为皇后之后兴圣宫选用了粉色和孔雀蓝以及金，代表她（他）的心理。因开机前一星期美术才进组置景，所以太子妃宫比较简陋，甚至连道具都来不及准备……&/p&&br&&p&24、最开始的片头，灵感来源于风靡一时的切水果的创意设计。&/p&&br&&p&25、12集出现了新的片头，由崔子格 演唱的《可念不可说》版本&/p&&br&&p&其实，还有很多很多···等着剧情的继续发展，再为各位做一一盘点哈哈。&/p&&br&&p&————————————日更新线——————————————————&/p&&p&许久没上来了，一上来发现点赞的人数特别多。&/p&&br&&p&然后就是太子妃终于有床戏了！！！24、27集，不用谢。这些你们微博随便一搜就有。&/p&&p&接下来就是自从我答了25点以后根据主创的访问及一些微博的见解，继续为大家整理。&/p&&br&&p&26、剧里的凉鞋来自淘宝，而且都是从各地纷纷到货，所以你才会发现有些时候有凉鞋，有些没有。这些都是导演自己挑的。&/p&&br&&p&27、饰演太后的演员很年轻，其他演员叫她奶奶，她咬咬牙忍了，赵王也叫，她不能忍。而且她就是《上错花轿嫁对郎》里的小巧！！&/p&&br&&p&28、剧里男演员的耳钉是为了表现不羁的性格，当齐晟成为皇帝后就没有耳钉了&/p&&br&&p&29、剧里裤子，太子成为皇上之后就有裤子了&/p&&br&&p&30、服装面料也是导演亲自去北京木樨园著名的窗帘布艺选的&/p&&br&&p&31、江氏有很多套白衣服，但是大家看不出来&/p&&br&&p&32、太子和杨严为了支援剧组，自费唱了主题曲和插曲&/p&&br&&br&33、因为剧组准备开拍前才发现道具都被借走了。于是出现了前10集没有任何道具的盛况。&br&&br&&p&好了，要有的就再继续跟了~~&/p&&br&&p&————————————日更新线——————————————————&br&&/p&&br&&p&34、第一次出场的宋太医，在面对太子妃的“你丫是谁？”，想都没有回答“我丫宋太医”。这原本是没有这句台词的。&/p&&br&&p&35、太子妃枕头里面塞的都是泡沫！泡沫！&/p&&br&&p&————————————日更新线——————————————————&br&&/p&&br&&p&36、《太子妃升职记》的拍摄地与《琅琊榜》是同个地方！wuli太子妃的住所，是梅长苏苏宅的一部分。再往前追溯，是《赵氏孤儿》的庄姬府。另外太子所在的皇宫大殿，在《芈月传》里也出现过。&/p&&br&&img src=&/f6c9e3908223_b.jpg& data-rawwidth=&362& data-rawheight=&415& class=&content_image& width=&362&&&br&&p&37、九王于朦胧表示，最辛苦的事情就是一个人对着鼓风机说话哈哈哈啊哈哈哈啊哈&/p&&br&&br&&p&38、太子妃有20套衣服更换&/p&&br&&p&39、最多人的一场戏，实际上就只有不到80人。&/p&&br&&p&40、24集的床戏已经被要求删除。（后经证实并未删除，但是有过传闻，详见制片人甘薇微博）&/p&&br&&p&————————————日更新线——————————————————&br&&/p&&br&&br&41、本剧在导演的威逼下写了100多首曲子&br&&br&42、杨严把胡子一贴就成了自己哥哥&br&&img src=&/20abb7be226fc910d97297_b.jpg& data-rawwidth=&712& data-rawheight=&331& class=&origin_image zh-lightbox-thumb& width=&712& data-original=&/20abb7be226fc910d97297_r.jpg&&&br&43、太子妃宫内，床垫也顺便当了屏风&br&&img src=&/54f0aa139dde0f7da349b6ec7c5e847f_b.jpg& data-rawwidth=&389& data-rawheight=&202& class=&content_image& width=&389&&&br&44、第一集出现半集打酱油的张鹏（张芃芃的现代），是2008年男模出镜率最高的模特，叫张志远。&br&&img src=&/fa2ea31b3caa24a61db0_b.jpg& data-rawwidth=&513& data-rawheight=&562& class=&origin_image zh-lightbox-thumb& width=&513& data-original=&/fa2ea31b3caa24a61db0_r.jpg&&&br&&br&45、继续来个八卦，太子妃的扮演者张天爱，曾经和男模李子峰是男女朋友，据说都求婚了最后还是分手了。男方就是在湖南《全员加速中》的黑衣猎人。&br&&img src=&/dcbe90be4fbd25b71bfbc51_b.jpg& data-rawwidth=&372& data-rawheight=&560& class=&content_image& width=&372&&更是令人惊讶的是，最近新的网剧，还是这两位一起主演&br&&img src=&/06ca14e206ff49d0a72f_b.jpg& data-rawwidth=&619& data-rawheight=&333& class=&origin_image zh-lightbox-thumb& width=&619& data-original=&/06ca14e206ff49d0a72f_r.jpg&&
自己一点小小的整理和见解，（拉到下方，日更新）1、《太子妃升职记》改编自同名小说，作者是鲜橙。这只是作者一次最随意最搞笑的写作，也不知道为什么就写了出来还拍成了剧。2、导演是侣皓吉吉，海岩的儿子，师从赵宝刚多年。3、剧组省钱到什么…
暗恋桃花源确实是一部中国近30年来在艺术性和商业性上同时成功的一部戏，没有之一。它的文本，演出，以及其本身的戏剧美学价值都值得再三咀嚼。我上大学时候花了七个月研究并排演这部戏，前前后后看了大约十多遍，谈谈我的一些看法吧。&br&
在最最开始，希望能和大家讨论这部戏的关键词。并不是诸如“感人””有趣“&笑中有泪”这样的主观情感描述，而是一起来思考一下，暗恋桃花源的立意是——？&br&
愚以为，无须繁复，只是“&b&追寻&/b&”二字。&br&&br&
“暗恋”的“追寻”二字体现得再明白不过——江滨柳这跨越了半个世纪，跨越了台湾海峡，几乎是死不瞑目的这份执念；陪伴了江滨柳几十年的江妈妈，倾其一生，只为获得江滨柳哪怕一刻的真心；云之凡在战乱中等待，可终于“不能再等了，再等就要老了”，她追求了平凡人的幸福，她做了外婆，她先生人很好，她的儿子送她来与五十年前的旧情人相见；病房里天真的小护士也一样，在自己的世界中，不断去认识真实世界的相貌；就连只在对话中出现的老韩，在大陆开放后，不也忍不住常常跑回家乡，吃那台湾也有的大闸蟹吗。&br&
更为“暗恋”拔上一个高度的舞台事实是：这其实只是导演自己的故事，而让大家动容的演员们，在舞台上的“导演”心中，也依旧只能是聊以自慰的幻象。&br&&br&
让我们来看看“桃花源”吧。老陶袁老板和春花的三角关系，并不只是为了追求观众呈现出的那样——发笑。老陶爱着春花，爱到可以为她自杀，爱到可以为她去死，爱到哪怕成了仙人也要回去找她；袁老板所做的事更是奉行自己的哲学——想要什么，就闯进去，把她抢出来；春花的思路也很简单，我要一个生活条件良好的家庭。&br&&br&
我们可以看到，“暗恋”和“桃花源”，所有角色的贯穿行动都是针对一个确定目标不变的&b&追寻&/b&。 &br&
疯女人这个角色自始至终只在做一件事——追寻刘子骥。刘子骥是谁？《桃花源记》最后一句：“南阳刘子骥，高尚士也，闻之，欣然规往。未果，寻病终，后遂无问津者。”还记得老陶划船去了哪里吗。&br&&br&
疯女人这个角色的的存在，才是赖声川和他的伙伴们埋得最深的那条线——&b&追寻&/b&。&br&&br&
毫无疑问，“暗恋”和“桃花源”单独拆解出来，都是一个良好的故事。而赖导这样的“双生子”般的设置，除了文本意义上的，更有戏剧形式上的追求。年轻人对于“暗恋”体会更深，是因为这样的苦恋加上命运的离奇，更贴近年轻人的生活经验。&br&
很多人觉得“暗恋”是悲剧，因为它让观众哭。而哭过之后，仔细想想，江滨柳见到了云之凡；云之凡继续自己的美满家庭，江妈妈被陷于崩溃的江滨柳召回，拥抱，不也是很幸福的一刻吗。&br&
“桃花源”大家觉得是喜剧，因为大家笑，可老陶春花袁老板经历了这般的年月和追求幸福的过程，仔细想来不如什么都不做，命运的吊诡，难道不让人唏嘘吗。&br&&br&
总结性地扯两句。这样“戏中戏”的结构，其实是传统现实主义戏剧以后戏剧剧场为灵感的一种尝试，在之后也有很多戏沿用了这样的结构。它不断破除观众的幻觉剧场结构，又看似随意地不断建立，观众的欣赏体验比传统剧场是要高上很多的。可以说，“舞台上演绎剧场”这个结构就为暗恋桃花源这部戏提升了一个艺术档次。暗恋桃花源在文本以及戏剧性上的成就，实在是巅峰之作了。&br&&br&
题外话，一般入门的话剧观众大多从戏剧文本的角度欣赏话剧，所以国内很多所谓“实验剧”，其实大多是消解了文本的现代或者后现代主义戏剧，所以绝大多数人不太容易接受；进阶一点的观众，会从情感体验，演员表现，以及整部剧的立意来评价这部戏的好坏。作为有追求的话剧观众，很多人更期待从一部戏的戏剧性，舞台技法以及艺术价值来评判，有机会的话，也蛮想写东西聊聊这个的：）&br&&br&
最后以一个事实结尾吧，整部暗恋桃花源我们听到的第一句台词，便是出自江滨柳之口，轻轻哼唱而出的上海老歌《追寻》，蔡琴演唱过，采拮歌词在下面吧：&br&&br&你是晴空的流云&br&你是子夜的流星&br&一片深情 紧紧深锁着我的心&br&一线光明 时时照耀着我的心&br&我 哪能忍得住哟 我 哪能再等待哟&br&我要我要追寻 我要我要追寻&br&追寻那无限的深情&br&追寻那遥远的光明&br&&br&PS：这部戏只有99版（萧艾，金士杰，丁乃筝，冯翊纲，赵自强）是巅峰，大陆版简直没法看。&br&&br&&b&修改 &/b&&br&&b&添加一个好消息。&/b&最近和原来表演工作坊一个老师聊天，得知赖导准备召集原班人马复刻初版暗恋桃花源以及那一夜我们说相声，大概14-15年能上演，真是不能更期待呀。
暗恋桃花源确实是一部中国近30年来在艺术性和商业性上同时成功的一部戏，没有之一。它的文本，演出，以及其本身的戏剧美学价值都值得再三咀嚼。我上大学时候花了七个月研究并排演这部戏，前前后后看了大约十多遍，谈谈我的一些看法吧。 在最最开始，希望能…
1Q84为什么会入选最差性爱描写呢？因为这部书一共三本，前两本和第三本的大部分性爱场面都是存在于没有爱情的人之间的，直到最后大结局处男主才跟女主性福的生活在了一起。作为一个村上的拥泵，平心而论他的描写是很好看的。比如海边的卡夫卡中少年卡夫卡情窦初开的羞怯和热忱之间的矛盾感，比如国境以南太阳以西中大段大段令人心驰神往的细节描写（好多年前看的，所以除了“非常色情”这个大概的印象以外对细节记不太清了）。所以我认为不能因为一部作品否定一个作家，lz有兴趣的话还是可以看一下。&br&&br&我个人最喜欢的情色文学作家应该是Michel Faber。代表作品是The crimson petal and the white。这部小说没有中译本，我也不建议去看中译本，因为他的色情成分全部隐匿在单词之中。他将所有普通词汇替换成带有性暗示的单词，查字典时能看到定义中几乎都带有sexual的字眼。并且这是一部维多利亚时期风格显著的作品，因此性爱场面显得愈发复古和惹人喜爱。他塑造的角色Sugar也是一个形象十分饱满，坚强且对生活怀有热情的人物。&br&&br&个人非常偏爱文学＋性爱场面的这种搭配，所以顺便推荐一些情色文学改编的电影，因为一般是真正牛逼的作品才会被搬上大荧幕。lz有兴趣可以看一下。&br&&br&巴黎野玫瑰 37°2 le matin（原著好像是11年出了中译版，名字叫三十七度二。片中的男主角是位作家，女主角情绪不是很稳定，但他们之间的羁绊展现的非常好。）&br&&br&情迷六月花 Henry & June（这个非常牛的，主角Henry就是著名作家Henry Miller，这部电影提到了他的名著tropic of cancer的创作过程。电影里面还有非常好看的lesbian情节，女主角之一是pulp fiction的乌玛瑟曼。这部应该是我个人最喜欢的一部情色片，有兴趣可以去找《北回归线》，今年译林出了一个新的中文版。）&br&&br&晚娘（这个大家应该都知道，女神钟丽缇的片子。小说我没看过，但是电影中大段的性爱场景，还有著名的背上的冰块都让人印象深刻。这部片子也是今年被翻拍了，我个人感觉还不错，画面色彩比较柔和，看了那么久的性爱场面不会让人感到不适。）&br&&br&赎罪 Atonement（这个是伊恩麦克尤恩的作品改编，比较喜欢两位主角在书柜的那一段，电影中穿着绿色连衣裙的Knightly非常美！）&br&&br&洛丽塔 Lolita （这个就无需赘述了，Nabokov的描写让人印象深刻。。推荐去看Jeremy叔的那个版本）&br&&br&再推荐两个日系的，一个是改编自渡边淳一同名小说的《泪壶》，两位主角经过一番探索终于找到彼此并融合的那种感觉非常非常好。还有一个是《蛇舌》，原著拿了芥川奖，电影里有吉高由里子全裸出镜，虽然整部作品都很“疼”，但结局是很温暖的。&br&&br&不好意思废话越说越多了。因为本人对情色片有格外的热情，所以再推荐一位导演 园子温。他的作品多是根据真实事件改编，但不是文学作品，所以描写好不好无从评论。但他在电影中展现的方式十分独特。他将性爱、亲情还有宗教等融合在一起，现实感很强，但又会让人觉得有些残忍。影片往往都有十分温暖的结局，看得多了会对这个世界充满爱意。
1Q84为什么会入选最差性爱描写呢？因为这部书一共三本，前两本和第三本的大部分性爱场面都是存在于没有爱情的人之间的，直到最后大结局处男主才跟女主性福的生活在了一起。作为一个村上的拥泵，平心而论他的描写是很好看的。比如海边的卡夫卡中少年卡夫卡情…
我想题主需要的是这个。&blockquote& I think love is a touch and yet not a touch.&br&&/blockquote&—— J.D.Sailinger &The Heart of a Broken Story&&br&&br&答主是塞林格的读者，并没有在任何国内出版的小说集里找到这一篇，但是在网上可以找到。&br&网上译作《破碎故事之心》，写得太美了。上面那一句是点睛之笔。&br&&br&这句话，答主看过下面这两种翻译：&br&&blockquote&爱情是含情脉脉但是又羞涩难当。&br&爱是想触碰又收回手。&/blockquote&&br&可以参考这两个版本的译文，感谢译者。&br&&a href=&///?target=http%3A///note//& class=& wrap external& target=&_blank& rel=&nofollow noreferrer&&破碎故事之心&i class=&icon-external&&&/i&&/a&&br&&a href=&///?target=http%3A///group/topic//& class=& wrap external& target=&_blank& rel=&nofollow noreferrer&&破碎故事之心【塞林格】&i class=&icon-external&&&/i&&/a&&br&&br&当然，还是要慢慢去读原文，才能体会到塞林格笔下那种惊心动魄的情愫火花吧。&br&&br&&blockquote&J. D. Salinger&br&The Heart of a Broken Story&br&Esquire XVI, September 1941, Page 32, 131-133&br&&br&EVERY day Justin Horgenschlag, thirty-dollar-a-week printer’s assistant, saw at close quarters approximately sixty women whom he had never seen before. Thus in the few years he had lived in New York, Horgenschlag had seen at close quarters about 75,120 different women. Of these 75,120 women, roughly 25,000 were under thirty years of age and over fifteen years of age. Of the 25,000 only 5,000 weighed between one hundred five and one hundred twenty-five pounds. Of these 5,000 only 1,000 were not ugly. Only 500 were r only 100 of these w only 25 could have inspired a long, slow whistle. And with only 1 did Horgenschlag fall in love at first sight.&br&&br&Now, there are two kinds of femme fatale. There is the femme fatale who is a femme fatale in every sense of the word, and there is the femme fatale who is not a femme fatale in every sense of the word.&br&&br&Her name was Shirley Lester. She was twenty years old (eleven years younger than Horgenschlag), was five-foot-four (bringing her head to the level of Horgenschlag’s eyes), weighed 117 pounds (light as a feather to carry). Shirley was a stenographer, lived with and supported her mother, Agnes Lester, an old Nelson Eddy fan. In reference to Shirley’s looks people often put it this way: “Shirley’s as pretty as a picture.”&br&&br&And in the Third Avenue bus early one morning, Horgenschlag stood over Shirley Lester, and was a dead duck. All because Shirley’s mouth was open in a peculiar way. Shirley was reading a cosmetic advertisement in the w and when Shirley read, Shirley relaxed slightly at the jaw. And in that short moment while Shirley’s mouth was open, lips were parted, Shirley was probably the most fatal one in all Manhattan. Horgenschlag saw in her a positive cure-all for a gigantic monster of loneliness which had been stalking around his heart since he had come to New York. Oh, the agony of it! The agony of standing over Shirley Lester and not being able to bend down and kiss Shirley’s parted lips. The inexpressible agony of it!&br&&br&* * *&br&&br&That was the beginning of the story I started to write for Collier’s. I was going to write a lovely tender boy-meets-girl story. What could be finer, I thought. The world needs boy-meets-girl stories. But to write one, unfortunately, the writer must go about the business of having the boy meet the girl. I couldn’t do it with this one. Not and have it make sense. I couldn’t get Horgenschlag and Shirley together properly. And here are the reasons:&br&&br&Certainly it was impossible for Horgenschlag to bend over and say in all sincerity:&br&&br&“I beg your pardon. I love you very much. I’m nuts about you. I know it. I could love you all my life. I’m a printer’s assistant and I make thirty dollars a week. Gosh, how I love you. Are you busy tonight?”&br&&br&This Horgenschlag may be a goof, but not that big a goof. He may have been born yesterday, but not today. You can’t expect Collier’s readers to swallow that kind of bilge. A nickel’s a nickel, after all.&br&&br&I couldn’t, of course, all of a sudden give Horgenschlag a suave serum, mixed from William Powell’s old cigarette case and Fred Astaire’s old top hat.&br&&br&“Please don’t misunderstand me, Miss. I’m a magazine illustrator. My card. I’d like to sketch you more than I’ve ever wanted to sketch anyone in my life. Perhaps such an undertaking would be to a mutual advantage. May I telephone you this evening, or in the very near future? (Short, debonair laugh.) I hope I don’t sound too desperate. (Another one.) I suppose I am, really.”&br&&br&Oh, boy. Those lines delivered with a weary, yet gay, yet reckless smile. If only Horgenschlag had delivered them. Shirley, of course, was an old Nelson Eddy fan herself, and an active member of the Keystone Circulating Library.&br&&br&Maybe you’re beginning to see what I was up against.&br&&br&True, Horgenschlag might have said the following:&br&&br&“Excuse me, but aren’t you Wilma Pritchard?”&br&&br&To which Shirley would have replied coldly, and seeking a neutral point on the other side of the bus:&br&&br&“No.”&br&&br&“That’s funny,” Horgenschlag could have gone on, “I was willing to swear you were Wilma Pritchard. Uh. You don’t by any chance come from Seattle?”&br&&br&“No.”—More ice where that came from.&br&&br&“Seattle’s my home town.”&br&&br&Neutral point.&br&&br&“Great little town, Seattle. I mean it’s really a great little town. I’ve only been here—I mean in New York—four years. I’m a printer’s assistant. Justin Horgenschlag is my name.”&br&&br&“I’m really not inter-ested.”&br&&br&Oh, Horgenschlag wouldn’t have got anywhere with that kind of line. He had neither the looks, personality, or good clothes to gain Shirley’s interest under the circumstances. He didn’t have a chance. And, as I said before, to write a really good boy-meets-girl story it’s wise to have the boy meet the girl.&br&&br&Maybe Horgenschlag might have fainted, and in doing so grabbed for support: the support being Shirley’s ankle. He could have torn the stocking that way, or succeeded in ornamenting it with a fine long run. People would have made room for the stricken Horgenschlag, and he would have got to his feet, mumbling: “I’m all right, thanks,” then, “Oh, say! I’m terribly sorry, Miss. I’ve torn your stocking. You must let me pay for it. I’m short of cash right now, but just give me your address.”&br&&br&Shirley wouldn’t have given him her address. She just would have become embarrassed and inarticulate. “It’s all right,” she would have said, wishing Horgenschlag hadn’t been born. And besides, the whole idea is illogical. Horgenschlag, a Seattle boy, wouldn’t have dreamed of clutching at Shirley’s ankle. Not in the Third Avenue Bus.&br&&br&But what is more logical is the possibility that Horgenschlag might have got desperate. There are still a few men who love desperately. Maybe Horgenschlag was one. He might have snatched Shirley’s handbag and run with it toward the rear exit door. Shirley would have screamed. Men would have heard her, and remembered the Alamo or something. Horgenschlag’s flight, let’s say, is now arrested. The bus is stopped. Patrolman Wilson, who hasn’t made a good arrest in a long time, reports on the scene. What’s going on here? Officer, this man tried to steal my purse.&br&&br&Horgenschlag is hauled into court. Shirley, of course, must attend session. They both
thereby Horgenschlag is informed of the location of Shirley’s divine abode.&br&&br&Judge Perkins, who can’t even get a good, really good cup of coffee in his own house, sentences Horgenschlag to a year in jail. Shirley bites her lip, but Horgenschlag is marched away.&br&&br&In prison, Horgenschlag writes the following letter to Shirley Lester:&br&&br&“Dear Miss Lester:&br&&br&“I did not really mean to steal your purse. I just took it because I love you. You see I only wanted to get to know you. Will you please write me a letter sometime when you get the time? It gets pretty lonely here and I love you very much and maybe even you would come to see me some time if you get the time.&br&&br&Your friend,&br&&br&Justin Horgenschlag”&br&&br&Shirley shows the letter to all her friends. They say, “Ah, it’s cute, Shirley.” Shirley agrees that it’s kind of cute in a way. Maybe she’ll answer it. “Yes! Answer it. Give’m a break. What’ve ya got t’lose?” So Shirley answers Horgenschlag’s letter.&br&&br&“Dear Mr. Horgenschlag:&br&&br&“I received your letter and really feel very sorry about what has happened. Unfortunately there is very little we can do about it at this time, but I do feel abominable concerning the turn of events. However, your sentence is a short one and soon you will be out. The best of luck to you.&br&&br&Sincerely yours,&br&&br&Shirley Lester”&br&&br&“Dear Miss Lester:&br&&br&“You will never know how cheered up you made me feel when I received your letter. You should not feel abominable at all. It was all my fault for being so crazy so don’t feel that way at all. We get movies here once a week and it really is not so bad. I am 31 years of age and come from Seattle. I have been in New York 4 years and think it is a great town only once in a while you get pretty lonesome. You are the prettiest girl I have ever seen even in Seattle. I wish you would come to see me some Saturday afternoon during visiting hours 2 to 4 and I will pay your train fare.&br&&br&Your friend,&br&&br&Justin Horgenschlag”&br&&br&Shirley would have shown this letter, too, to all her friends. But she would not answer this one. Anyone could see that this Horgenschlag was a goof. And after all. She had answered the first letter. If she answered this silly letter the thing might drag on for months and everything. She did all she could do for the man. And what a name. Horgenschlag.&br&&br&Meanwhile, in prison Horgenschlag is having a terrible time, even though they have movies once a week. His cell-mates are Snipe Morgan and Slicer Burke, two boys from the back room, who see in Horgenschlag’s face a resemblance to a chap in Chicago who once ratted on them. They are convinced that Ratface Ferrero and Justin Horgenschlag are one and the same person.&br&&br&“But I’m not Ratface Ferrero,” Horgenschlag tells them.&br&&br&“Don’t gimme that,” says Slicer, knocking Horgenschlag’s meager food rations to the floor.&br&&br&“Bash his head in,” says Snipe.&br&&br&“I tell ya I’m just here because I stole a girl’s purse on the Third Avenue Bus,” pleads Horgenschlag. “Only I didn’t really steal it. I fell in love with her, and it was the only way I could get to know her.”&br&&br&“Don’t gimme that,” says Slicer.&br&&br&“Bash his head in,” says Snipe.&br&&br&Then there is the day when seventeen prisoners try to make an escape. During play period in the recreation yard, Slicer Burke lures the warden’s niece, eight-year-old Lisbeth Sue, into his clutches. He puts his eight-by-twelve hands around the child’s waist and holds her up for the warden to see.&br&&br&“Hey, warden!” yells Slicer. “Open up them gates or it’s curtains for the kid!”&br&&br&“I’m not afraid, Uncle Bert!” calls out Lisbeth Sue.&br&&br&“Put down that child, Slicer!” commands the warden, with all the impotence at his command.&br&&br&But Slicer knows he has the warden just where he wants him. Seventeen men and a small blonde child walk out the gates. Sixteen men and a small blonde child walk out safely. A guard in the high tower thinks he sees a wonderful opportunity to shoot Slicer in the head, and thereby destroy the unity of the escaping group. But he misses, and succeeds only in shooting the small man walking nervously behind Slicer, killing him instantly.&br&&br&Guess who?&br&&br&And, thus, my plan to write a boy-meets-girl story for Collier’s, a tender, memorable love story, is thwarted by the death of my hero.&br&&br&Now, Horgenschlag never would have been among those seventeen desperate men if only he had not been made desperate and panicky by Shirley’s failure to answer his second letter. But the fact remains that she did not answer his second letter. She never in a hundred years would have answered it. I can’t alter facts.&br&&br&And what a shame. What a pity that Horgenschlag, in prison, was unable to write the following letter to Shirley Lester:&br&&br&“Dear Miss Lester:&br&&br&“I hope a few lines will not annoy or embarrass you. I’m writing, Miss Lester, because I’d like you to know that I am not a common thief. I stole your bag, I want you to know, because I fell in love with you the moment I saw you on the bus. I could think of no way to become acquainted with you except by acting rashly—foolishly, to be accurate. But then, one is a fool when one is in love.&br&&br&“I loved the way your lips were so slightly parted. You represented the answer to everything to me. I haven’t been unhappy since I came to New York four years ago, but neither have I been happy. Rather, I can best describe myself as having been one of the thousands of young men in New York who simply exist.&br&&br&“I came to New York from Seattle. I was going to become rich and famous and well-dressed and suave. But in four years I’ve learned that I am not going to become rich and famous and well-dressed and suave. I’m a good printer’s assistant, but that’s all I am. One day the printer got sick, and I had to take his place. What a mess I made of things, Miss Lester. No one would take my orders. The typesetters just sort of giggled when I would tell them to get to work. And I don’t blame them. I’m a fool when I give orders. I suppose I’m just one of the millions who was never meant to give orders. But I don’t mind anymore. There’s a twenty-three-year-old kid my boss just hired. He’s only twenty-three, and I am thirty-one and have worked at the same place for four years. But I know that one day he will become head printer, and I will be his assistant. But I don’t mind knowing this anymore.&br&&br&“Loving you is the important thing, Miss Lester. There are some people who think love is sex and marriage and six o’clock-kisses and children, and perhaps it is, Miss Lester. But do you know what I think? I think love is a touch and yet not a touch.&br&&br&“I suppose it’s important to a woman that other people think of her as the wife of a man who is either rich, handsome, witty or popular. I’m not even popular. I’m not even hated. I’m just—I’m just—Justin Horgenschlag. I never make people gay, sad, angry, or even disgusted. I think people regard me as a nice guy, but that’s all.&br&&br&“When I was a child no one pointed me out as being cute or bright or good-looking. If they had to say something they said I had sturdy little legs.&br&&br&“I don’t expect an answer to this letter, Miss Lester. I would like an answer more than anything else in the world, but truthfully I don’t expect one. I merely wanted you to know the truth. If my love for you has only led me to a new and great sorrow, only I am to blame.&br&&br&“Perhaps one day you will understand and forgive your blundering admirer,&br&&br&Justin Horgenschlag”&br&&br&Such a letter would be no more unlikely than the following:&br&&br&“Dear Mr. Horgenschlag:&br&&br&“I got your letter and loved it. I feel guilty and miserable that events have taken the turn they have. If only you had spoken to me instead of taking my purse! But then, I suppose I should have turned the conversational chill on you.&br&&br&“It’s lunch hour at the office, and I’m alone here writing to you. I felt that I wanted to be alone today at lunch hour. I felt that if I had to go have lunch with the girls at the Automat and they jabbered through the meal as usual, I’d suddenly scream.&br&&br&“I don’t care if you’re not a success, or that you’re not handsome, or rich, or famous or suave. Once upon a time I would have cared. When I was in high school I was always in love with the Joe Glamor boys. Donald Nicolson, the boy who walked in the rain and knew all Shakespeare’s sonnets backwards. Bob Lacey, the handsome gink who could shoot a basket from the middle of the floor, with the score tied and the chukker almost over. Harry Miller, who was so shy and had such nice, durable brown eyes.&br&&br&“But that crazy part of my life is over.&br&&br&“The people in your office who giggled when you gave them orders are on my black list. I hate them as I’ve never hated anybody.&br&&br&“You saw me when I had all my make-up on. Without it, believe me, I’m no raving beauty. Please write me when you’re allowed to have visitors. I’d like you to take a second look at me. I’d like to be sure that you didn’t catch me at a phony best.&br&&br&“Oh, how I wish you’d told the judge why you stole my purse! We might be together and able to talk over all the many things I think we have in common.&br&&br&“Please let me know when I may come to see you.&br&&br&Yours sincerely,&br&&br&Shirley Lester”&br&&br&But Justin Horgenschlag never got to know Shirley Lester. She got off at Fifty-Sixth Street, and he got off at Thirty-Second Street. That night Shirley Lester went to the movies with Howard Lawrence with whom she was in love. Howard thought Shirley was a darn good sport, but that was as far as it went. And Justin Horgenschlag that night stayed home and listened to the Lux Toilet Soap radio play. He thought about Shirley all night, all the next day, and very often during that month. Then all of a sudden he was introduced to Doris Hillman who was beginning to be afraid she wasn’t going to get a husband. And then before Justin Horgenschlag knew it, Doris Hillman and things were filing away Shirley Lester in the back of his mind. And Shirley Lester, the thought of her, no longer was available.&br&&br&And that’s why I never wrote a boy-meets-girl story for Collier’s. In a boy-meets-girl story the boy should always meet the girl.&/blockquote&
我想题主需要的是这个。 I think love is a touch and yet not a touch.—— J.D.Sailinger &The Heart of a Broken Story&答主是塞林格的读者，并没有在任何国内出版的小说集里找到这一篇，但是在网上可以找到。网上译作《破碎故事之心》，写得太美了。上…
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